How To Add Samples Into Studio One

Continuing our await at the born instruments in Studio I four.6 , it'due south time to plough to Presence XT. At first glance, information technology looks like just a sampler player… and it is; however, looking a little deeper (and with the right key) we tin can discover some powerful tools that will turn Presence XT into, essentially, a highly usable sampler.

Permit's first with the most obvious use for Presence XT. PreSonus includes a sizeable Presence XT Cadre Instrument Library for Studio Ane Professional three and 4 users. For Studio One Prime and Artist owners, this is an improver. The core library consists of 14 GB of sample instruments including the following:

• Acoustic Guitars
• Basses
• Brass
• Electric Guitars
• Keyboards
• Mallets
• Percussion & Vocals
• Strings
• Winds

We won't dive too deeply into the libraries themselves, just just know that Presence XT – at its core – is a sample player, and these libraries are quite good. They encompass all the bases that a composer would need to make quality band-way songs. There are too enough ensemble instruments on offer to get a budding composer started scoring their kickoff film.
Additionally, at that place is a growing number of third-political party companies out at that place making sample libraries for use in Presence XT. Get to the Presonus Shop past style of the Presonus website or the files console in Studio One 4.half dozen to see what's out there.

So, if you're not sampling savvy or just don't accept the time or interest in creating your own libraries, then Presence XT is a peachy way to dive into composing with excellent sounding instruments at your fingertips. But what if you want to utilize that vintage Farfisa that you take sitting in the corner in your compositions without having to tune it every five seconds? Or your Melodica? Or your washtub bass? Well, there'south a way, which nosotros'll get into a little bit later. Permit's start past looking at Presence XT equally information technology comes.

Taking control

The Presence XT interface is logically laid out with Oscillators, Filters and Envelopes across the top. In the middle below the Filter section is an data brandish that shows plenty of information about the patch… including what key switches are available within the patch, the number of voices information technology uses and the size of the patch in MB. Some patches even have controls tied to scripts that will perform certain extra functions. These are also shown in the data brandish. For case, in the Acoustic Piano patch, the script controls modify the Sustain Resonance Level, Sustain Pedal Noise, Release Noise Level and the Velocity Curve. In that location are, of course, many other parameters that could be assigned to heighten functioning.

Moving down the page, we find the FX and Modulation section. This is where Presence starts getting deep. The FX on offer are very expert, with Modulation (Chorus, Flanger and Phaser), Filibuster (with high and low filtering, delay types, rhythmic delay time, feedback amount and a mix knob) and Reverb in FXA to sweeten the patches. There's even a Reverb button in the Delay department that will route the delay output to the Reverb. The FXB button leads to other effects like the Gater – for rhythmic furnishings, a baloney, an EQ and panning.

The really cool stuff comes into play in the Modulation Matrix (Mod A, Mod B). Each Mod button provides 8 modulation slots for routing modern signals all over Presence. We could utilize velocity to attune filter cutoff, an LFO to attune filter resonance, and Env 1 to modulate pitch or any number of other combinations. We could even utilize aftertouch to attune LFO 1, and LFO 1 could in turn attune LFO 2 and so on. This section solitary makes Presence XT a powerful tool.

Call my editor

Although the Presence XT Editor is a paid add-on, sound designers who're non afraid to get under the bonnet and take a look effectually volition observe it well worth the minimal expenditure to upgrade. The Editor unlocks a whole lot more power in Presence XT, and serious sound designers can create their own libraries with key switching and scripting to allow a whole new set of functioning rules to take over.

We could, for case, record samples of an acoustic guitar with close mics and with room mics. Then, in Presence Editor, we could script controls that would let us to fade betwixt close and room mics with the turn of a punch. We could also add samples of certain furnishings similar cord slides, mutes, etc. and add them to the patch, and so use key switches to switch between the different performance styles.

This is deep patch programming that will take time and endeavour, but if we desire to brand our own instruments for personal use or even sample libraries to distribute to other Presence XT users, the Presence Editor will give us loads of options and flexibility. We'll explore that more than thoroughly in a later on tutorial.

Using Presence XT as a sampler: step-by-step

1. To get started nosotros first demand to drag Presence XT into the Session area of Studio Ane.

2. Use the Presets dropdown in Presence or browse the listing of patches in the Browser (F6). Select Acoustic Piano – Total, then play through the sound. Experiment with the various controls bachelor.

3. Here nosotros run into a number of controls in the brandish panel. Equally we tin see, there are 4 dials visible in this screen to control resonance, pedal racket, release noise and velocity.

iv. Pay special attention to this tiny arrow. Information technology indicates there are more controls on an additional screen. Let's click here to see the balance of the available options.

v. Every bit we can see, there are controls for the Envelope assault, hold, decay and release besides equally an arrow to move dorsum to the primary controls for the patch. Let's motion back.

6. Correct-clicking on the Release Noise Level punch shows we can automate it or assign information technology (and other controls) to a channel macro for a dynamic change in sound during a runway.

THE PRESONUS Shop As mentioned in the commodity, the PreSonus Store contains a growing number of libraries from a growing number of sample companies. If y'all're not a programmer, libraries from SoundEngine, Sample Tekk, SonalSystem, Patch Hut, Chocolate Sound and more can get you into some excellent sounds for Presence XT.

7. Here, we're automating the Sustain Resonance level to create a bit of a washy feel as the track progresses.

viii. Now open up the Vintage Bass Fingered Full patch. Turning on the on-screen keyboard with the keyboard button, nosotros see several red notes starting at C0. These are fundamental switches.

9. These key switches modify the bass betwixt Open, Finger Deads, Harmonics, Semi-Slides, Whole Slides and Finger Play FX. Let's tape a elementary bass role.

ten. Now we have a bass office. Information technology's not an amazing part, only nosotros can add life and involvement to information technology by adding notes to trigger key switches.

11. As we see, hovering over key switch notes shows what specific key switch it is. This helps speed upwards the procedure of adding fundamental switches. We could likewise add these live.

12. Using the Violins Total patch, we tin can do the aforementioned thing. Let's create a part with some nice motion and then add central switches for some serious interest.

HOMESCHOOLING There'south a fantastic learning section on the PreSonus website featuring tutorial videos from David Vignola, Johnny Geib, PreSonus' own Gregor and more. These can help you get more than savvy with Presence XT's capabilities

13. This part sounds okay, but it is a bit wearisome. To liven it up a bit, let's add some primal switches to enhance the performance with different articulations.

14. We'll start by adding a pizzicato key switch at the start of the arpeggio role. Of a sudden, the washy arpeggio has lovely plucked violins to conduct it along.

15. Side by side, we'll add a key switch for the runs at Bar 23 and Bar 24. Now the runs are played past staccato strings and are much clearer to the listener.

16. Finally, allow'south add a Violin Sustain key switch for the chords first at Bar 25. There's much more than nosotros tin do for interest and realism, but these are a corking offset.

17. If we desire to start creating/editing our own sample libraries, the Presence Editor will allow us to sample, edit, map, shape and script libraries just the way nosotros desire them.

xviii. Exist warned: This gets very deep. With a basic understanding of sampling, you lot tin can offset making libraries. To go the virtually out of scripting controls, you'll need an understanding of Java Script.

For more PreSonus Studio 1 tutorials and workshops, bank check  here .

How To Add Samples Into Studio One,

Source: https://musictech.com/tutorials/studio-one/using-presence-xt-sampler-in-presonu-studio-one/

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